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The Painted Bird  2019
Nabarvené Ptáce / Pomalované Vtáca
Director:  Václav Marhoul
Producer:
  Aleksandr Kushaev and Václav Marhoul
Editor:
  Ludek Hudec
Screenplay:
  Václav Marhoul, based on the novel by Jerzy Kosinski
Director of Photography:
  Vladimir Smutny
slideshow
Cast:
spacer1 Petr Kotlár
spacer1 Stellan Skarsgård
people1 Harvey Keitel
people1 Barry Pepper
people1 Julian Sands
people1 Udo Kier
spacer1 Lech Dyblik
spacer1 Jitka Cvancarová
spacer1 Aleksey Kravchenko
spacer1 Antonin Masek
spacer1 Denisa Pfauserová
spacer1 Iréna Máchová
spacer1 Petr Kotlár spacer1 Stellan Skarsgård people1 Harvey Keitel
people1 Barry Pepper people1 Julian Sands people1 Udo Kier
spacer1 Lech Dyblik spacer1 Jitka Cvancarová spacer1 Aleksey Kravchenko
spacer1 Antonin Masek spacer1 Denisa Pfauserová spacer1 Iréna Máchová
spacer1 Petr Kotlár spacer1 Stellan Skarsgård
people1 Harvey Keitel people1 Barry Pepper
people1 Julian Sands people1 Udo Kier
spacer1 Lech Dyblik spacer1 Jitka Cvancarová
spacer1 Aleksey Kravchenko spacer1 Antonin Masek
spacer1 Denisa Pfauserová spacer1 Iréna Máchová

Synopsis:
Based on Jerzy Kosinski's infamous novel of the same name, The Painted Bird is a plunge into the darkest corners of the human soul. Not for the faint-hearted, the film — featuring an ensemble cast that includes Harvey Keitel, Stellan Skarsgård, Barry Pepper, Julian Sands, and Udo Kier — tells the story of a Jewish child (Petr Kotlár), who, after being separated from his persecuted parents, wanders Nazi-occupied Eastern Europe during World War II, meeting senseless violence and inhumane torture along the way. In a defining moment, a peasant shows the boy the flight of a captive bird, painted and released back into its flock. The bird, now different from its fellows, is ripped apart. That critical lesson embodies the boy's own experiences: difference is fatal.
Review:
Director Václav Marhoul's film is a series of tableaux that take our helpless protagonist on a brutal journey into a period of incongruous and untempered hatred and fear of the other. This harsh world is captured in uncomfortable detail in Vladimir Smutny's stunning 35mm black-and-white cinematography and Pavel Rejholec's powerful Atmos Dolby sound environment.

While there are occasional glimpses of compassion, Marhoul does not stray from Kosinski's graphic accounts of sexual assault, child abuse, and violence. Although a powerful account of antisemitism, The Painted Bird is also a bleak impression of the lived experiences of many during the war. It's not important — or possible — that we understand the culpable or mourn their fates. What is important is that we bear witness.

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