Martin Luther King
|
James Comey
|
Beverly Gage
|
|
Martin Luther King | James Comey | Beverly Gage |
Martin Luther King | James Comey | ||
Beverly Gage |
Inspired by the work of historian David Garrow, the film uses recently declassified files to study the FBI’s motives and methods. In the 1950s and ’60s, when Black people started mobilising to fight racial discrimination, Hoover saw the movement as a communist plot. Rather than support equality, the FBI sought to undermine King through wiretapping and blackmail, in what former FBI director James Comey calls “the darkest part of the bureau’s history.”
Filmmaker Sam Pollard has been immersed in US racial politics for decades, from his collaborations with Henry Hampton and Spike Lee to his own documentaries. He applies his mastery of archival footage to draw upon eclectic sources, from newsreels to Hollywood secret-agent movies. With visuals rooted in the ’50s and ’60s, he overlays contemporary audio interviews from multiple perspectives, including King’s colleagues Andrew Young and Clarence B. Jones.
Pollard doesn’t back away from the murky areas of the story – including the FBI wiretaps alleging King’s non-monogamous relationships with over 40 women, which the FBI attempted to use to humiliate King and break his spirit. The film grapples with how historians should treat such nefarious recordings.