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Huracán  2019
Director:  Cassius Corrigan
Producer:
  Cassius Corrigan, Diomedes Raul Bermudez, Elayne Neratsis and Mark Pulaski
Art Director:
  Lauren Caulfield
Editor:
  Romina Rev
Music:
  Roman Milino Dunn
Screenplay:
  Cassius Corrigan
Director of Photography:
  Mike McGowan
slideshow
Cast:
spacer1 Cassius Corrigan
spacer1 Yara Martinez
spacer1 Jorje Masvidal
spacer1 Grégory 'Cheetah' Choplin
spacer1 Milena Rivero
spacer1 Steve Spence
spacer1 Carlos Guerrero
spacer1 Camila Rodriguez
spacer1 Gley Viera
spacer1 Xavier Cortez
spacer1 Benhur Sito Barreto
spacer1
spacer1 Cassius Corrigan spacer1 Yara Martinez spacer1 Jorje Masvidal
spacer1 Grégory 'Cheetah' Choplin spacer1 Milena Rivero spacer1 Steve Spence
spacer1 Carlos Guerrero spacer1 Camila Rodriguez spacer1 Gley Viera
spacer1 Xavier Cortez spacer1 Benhur Sito Barreto spacer1
spacer1 Cassius Corrigan spacer1 Yara Martinez
spacer1 Jorje Masvidal spacer1 Grégory 'Cheetah' Choplin
spacer1 Milena Rivero spacer1 Steve Spence
spacer1 Carlos Guerrero spacer1 Camila Rodriguez
spacer1 Gley Viera spacer1 Xavier Cortez
spacer1 Benhur Sito Barreto spacer1

Synopsis:
Huracán is a psychological thriller about Alonso Santos, an aspiring MMA fighter who suffers from Multiple Personality Disorder. Alonso starts court appointed therapy with pioneering but troubled psychologist, Dr. Villalobos, played brilliantly by Yara Martinez (Jane the Virgin).

Through their sessions, Dr. Villalobos forces Alonso to dive deep into his traumatic childhood and uncover the nightmarish event that laid the foundation for his crippling mental illness. Simultaneously, Alonso pursues his one passion – making it as a professional MMA fighter. His coach, played by Muay Thai world champion Gregory Choplín, senses that unleashing Alonso’s vicious alter ego is the key to helping him succeed into the cutthroat sport of MMA, and pushes Alonso to embrace his condition as his greatest strength.

Legendary UFC fighter Jorge Masvidal, also an Executive Producer on the film, plays Alonso’s final opponent, Cain Colón, in a film The New York Times has hailed as so captivating you “can’t stop watching.”

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