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Film Data
Other People's Children  2022
Les Enfants Des Autres
Director:  Rebecca Zlotowski
Producer:
  Frederic Jouve and Marie Lecoq
Art Director:
  Katia Wyszkop
Editor:
  Géraldine Mangenot
Music:
  Rob (Robin Coudert)
Screenplay:
  Rebecca Zlotowski
Director of Photography:
  George Lechaptois
slideshow
Cast:
spacer1 Virginie Efira
spacer1 Roschdy Zem
spacer1 Chiara Mastroianni
spacer1 Anne Berest
spacer1 Yamée Couture
spacer1 Antonia Buresi
spacer1 Callie Ferreira-Goncalves
spacer1 Victor Lefebvre
spacer1 Mireille Perrier
spacer1 Sébastien Pouderoux
spacer1 Frederick Wiseman
spacer1
spacer1 Virginie Efira spacer1 Roschdy Zem spacer1 Chiara Mastroianni
spacer1 Anne Berest spacer1 Yamée Couture spacer1 Antonia Buresi
spacer1 Callie Ferreira-Goncalves spacer1 Victor Lefebvre spacer1 Mireille Perrier
spacer1 Sébastien Pouderoux spacer1 Frederick Wiseman spacer1
spacer1 Virginie Efira spacer1 Roschdy Zem
spacer1 Chiara Mastroianni spacer1 Anne Berest
spacer1 Yamée Couture spacer1 Antonia Buresi
spacer1 Callie Ferreira-Goncalves spacer1 Victor Lefebvre
spacer1 Mireille Perrier spacer1 Sébastien Pouderoux
spacer1 Frederick Wiseman spacer1

Synopsis:
Virginie Efira stars as a 40-year-old woman for whom new love awakens an intense and unexpected desire for motherhood.

For Rachel (Efira), each moment with her new boyfriend, Ali (Roschdy Zem), is pure bliss. They share everything, including his precious four-year-old daughter Leïla (Callie Ferreira-Goncalves). The situation is precarious: the more time Rachel spends with Leïla, the more she cannot help but feel like a mother to the child. But Leïla already has a mother, Alice (Chiara Mastroianni), with whom she spends half her time. Rachel increasingly and happily takes on the duties around Leila’s care, but soon feels that she has the responsibilities but not the rights that go with parenthood. As her relationship with Ali becomes more serious, Rachel sees that there are boundaries, established long before she came into the picture, that she will never be invited to cross.

Between advocating for one of her students and helping her younger sister navigate a relationship, Rachel directs most of her energy and affection toward people she’ll never be able to call her own, and is left wondering what will be left for her. Though thoughtful and compassionate, the playfulness of Zlotowski’s storytelling beautifully juxtaposes the intensity of emotions underlying every conversation, while the versatile Efira can give vibrant expression to Rachel’s inner conflicts with a mere glance. So much of what happens in Other People’s Children is recognisable, yet arrives with the force of revelation.

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