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Film Data
The Third Man  1949
Director:  Carol Reed
Producer:
  David O. Selznick, Alexander Korda and Carol Reed
Art Director:
  Uncredited
Editor:
  Oswald Hafenrichter
Music:
  Anton Karas
Screenplay:
  Graham Greene, based on his own novel
Director of Photography:
  Robert Krasker
slideshow
Cast:
spacer1 Joseph Cotten spacer1 Alida Valli people1 Orson Welles people1 Trevor Howard
spacer1 Bernard Lee spacer1 Wilfred Hyde-White spacer1 Paul Hörbiger spacer1 Ernst Deutsch
spacer1 Siegfried Breuer spacer1 Erich Ponto spacer1 Hedwig Bleibtreu spacer1 Karel Stepanek
spacer1 Joseph Cotten spacer1 Alida Valli people1 Orson Welles
people1 Trevor Howard spacer1 Bernard Lee spacer1 Wilfred Hyde-White
spacer1 Paul Hörbiger spacer1 Ernst Deutsch spacer1 Siegfried Breuer
spacer1 Erich Ponto spacer1 Hedwig Bleibtreu spacer1 Karel Stepanek
spacer1 Joseph Cotten spacer1 Alida Valli
people1 Orson Welles people1 Trevor Howard
spacer1 Bernard Lee spacer1 Wilfred Hyde-White
spacer1 Paul Hörbiger spacer1 Ernst Deutsch
spacer1 Siegfried Breuer spacer1 Erich Ponto
spacer1 Hedwig Bleibtreu spacer1 Karel Stepanek

Synopsis:
American writer Holly Martins arrives in war-torn Vienna looking for his old friend Harry Lime. He is shocked to be told Lime has been killed in a car accident, and disbelieving when told Lime was a racketeer better off dead. He decides to investigate when he hears contradictory accounts of the accident, which includes reports of a mysterious "third man" who witnessed the accident. When a hotel porter he has spoken to is found dead, Martins has to flee an angry crowd and gets proof from a military policeman, Calloway, that Lime sold deadly diluted penicillin on the balck market. When he sees Lime lurking in the shadows he gives chase, but loses him. Through Lime's underground contacts, Martins finally meets with Lime, who tells him his amoral philosophy (as well as expounding on the difference between 1000 years of Italian and Swiss history). When Lime's girlfriend, Anna, a Czech refugee holding a false passport who still remains faithful to her lover's memory, is arrested, Martins suggests a deal with Calloway: Anna's freedom for capturing Lime. Anna furiously rejects the offer. After Calloway shows Martins some photographs of some of Lime's victims. Martins arranges another meeting with Lime, which culminates in one of the great set-pieces of cinema, a chase through the underground sewers.

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