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Film Data
Three Colours: Red  1994
Trois Couleurs: Rouge / Trzy Kolory: Czerwony / Drei Farben - Rot
Director:  Krzysztof Kieslowski
Producer:
  Martin Karmitz
Art Director:
  Claude Lenoir
Editor:
  Jacques Witta
Music:
  Zbigniew Preisner
Screenplay:
  Krzysztof Kieslowski and Krzysztof Piesiewicz, with Agnieszka Holland, Edward Zebrowski and Slawomir Idziak. Dialogue translation by Marcin Latallo
Director of Photography:
  Pitor Sobocinski
image 1
Cast:
spacer1 Iréne Jacob spacer1 Jean-Louis Trintignant spacer1 Frédérique Feder spacer1 Jean-Pierre Lorit
people1 Samuel Le Bihan spacer1 Marion Stalans spacer1 Teco Cello spacer1 Bernard Escalon
spacer1 Jean Schlegel spacer1 Elzbieta Jasinska spacer1 Roland Carey spacer1 Paul Vermulen
spacer1 Iréne Jacob spacer1 Jean-Louis Trintignant spacer1 Frédérique Feder
spacer1 Jean-Pierre Lorit people1 Samuel Le Bihan spacer1 Marion Stalans
spacer1 Teco Cello spacer1 Bernard Escalon spacer1 Jean Schlegel
spacer1 Elzbieta Jasinska spacer1 Roland Carey spacer1 Paul Vermulen
spacer1 Iréne Jacob spacer1 Jean-Louis Trintignant
spacer1 Frédérique Feder spacer1 Jean-Pierre Lorit
people1 Samuel Le Bihan spacer1 Marion Stalans
spacer1 Teco Cello spacer1 Bernard Escalon
spacer1 Jean Schlegel spacer1 Elzbieta Jasinska
spacer1 Roland Carey spacer1 Paul Vermulen

Synopsis:
Valentine Dessaut, a kind-hearted and beautiful young model, accidentally runs over a dog. She goes to the animal's owner, Joseph Kern, a retired judge who spends his time listening to his neighbours with surveillance equipment, to apologise, and the two become friends. The judge realises that there is great sadness in Valentine's life despite her fame and success, and decides he will introduce her to someone who will bring genuine love into her life.
Review:
The third part of director Krzysztof Kieslowski's Three Colours trilogy and a tender but genuine meditation of love and loneliness, anchored by brilliant performances from both the veteran Jean-LouisTrintignant and the beautiful Irene Jacob. Trintignant's Judge sees behind Jacob's model's mask to see the vulnerable woman within, but the director adds gentle and well observed touches revolving around the difference between being alone and being lonely. Often moving and always compelling.

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